U.S. District Court for the Southern District of New York
U.S. District Court for the Eastern District of New York
University of Chicago Law School, Chicago, Illinois. J.D.
University of Pennsylvania, Philadelphia, Pennsylvania. B.A, magna cum laude
Marc is a copyright and entertainment attorney and chair of the firm’s music industry practice. He represents recording artists, songwriters, composers, record labels, music publishers and authors as well as businesses that create or use music and other intellectual properties. He has been recognized by his peers as a 2022 New York Super Lawyer for entertainment and sports law.
In his more than three decades as an executive and attorney, both in-house and in private practice, Marc has worked in private equity, corporate and start-up environments. He uses this varied experience to counsel his clients as to both their legal and business issues (the legalities and the practicalities of a matter), including those involving strategic planning, personnel, negotiation strategy, asset sales and acquisitions and dispute resolution.
Prior to returning to private practice, Marc ran the New York office of London-based classical music publisher, Boosey & Hawkes, representing many of the greatest composers of the 20th and 21st centuries, including several Pulitzer Prize and Grammy Award winners. Responsible for the company’s North American business, he increased profitability, streamlined operations and hired key staff. Marc was also responsible for the office’s legal, licensing, copyright and contractual matters. Before joining Boosey, Marc was a Senior Attorney with BMI, where he prosecuted copyright infringement actions throughout the country, defended the company in lawsuits and advised management on legislation affecting songwriters. He began his legal career as a litigator with large and mid-size firms before transitioning to the music industry.
Since 2017, Marc has served as Adjunct Professor of Law at Cardozo Law School, which for several years has been rated by Billboard Magazine as one of the top ten law schools for music law. He has been the sole instructor for Cardozo’s Music Law class for the past six years. Marc writes often on music and copyright issues and his Introduction to Music Law video presentation is available for CLE credit through Lawline.
Marc is a former Trustee of the Copyright Society of the USA and has served on the boards of the New York Chapter of the Association of Independent Music Publishers and the Music Publishers Association. He is a frequent speaker at various industry forums and educational institutions, including four panel appearances on Knowledge@Wharton on SiriusXM Radio. He has been quoted in Time, Washington Examiner and the Law360 blog. Marc is also a performing songwriter and composer.
Representative Recent Matters
- Negotiated recording contract with major label for Grammy Award-winning composer (previously negotiated music publishing agreement with major music publisher)
- Served termination notices and negotiated deal to re-assign post-termination rights in copyrights to several hit songs to major publisher on behalf of heir of Rock & Roll Hall of Fame and Songwriter Hall of Fame artist
- Closed deal representing purchaser of interests in songs from iconic Broadway musical
- Created new contract songwriter and licensing contract templates for music publisher
- Negotiated recording contract and drafted side artist agreements for debut album nominated for a Grammy Award for best solo classical vocal performance
- Negotiated and drafted agreements for licensing poems of US Poet Laureate for new compositions for choir
- Created artist management agreement template for boutique artist management agency
- Negotiated contract for conductor/arranger son of legendary film composer to revise orchestrations and conduct live orchestra accompaniment to screenings of iconic film
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As has been reported all over the media, Mariah Carey has been sued for copyright infringement over her Christmas chestnut, “All I Want for Christmas Is You.” The plaintiff, songwriter Andy Stone, claims he wrote a song with the same title in 1989 that had “extensive airplay” in 1993, the year before Carey’s seasonal evergreen